This video marks the start of my developments and experimentations with combining models made with a 3D pen, digital 3D environments and audio reactive scripts. I made this piece of visual music inspired by the song, Ashrams from the beautiful A.R.E project, where Shabaka Hutchings, Hieroglyphic Being and Sarathy Kowar collaborated in 2017 producing an improvised album available here: https://hieroglyphicbeing.bandcamp.com/album/a-r-e-project

Music video for Charlie Cawood (feat. Marjana Semkina) from the album 'Blurring Into Motion', out now via Bad Elephant Music: https://charliecawood.bandcamp.com/album/blurring-into-motion Credits: Marjana Semkina - vocals Charlie Cawood - acoustic & electric guitars Julie Groves - flute, piccolo Emily Suzanne Shapiro - clarinet, bass clarinet Ben Marshall - cor anglais Maria Moraru - piano, celeste Beibei Wang - vibraphone Catherine Ring - glockenspiel Alice Barron - violin Georgia Hannant - violin Maddie Cutter - cello Robyn Hemmings - double bass Steve Holmes - minimoog, bass synth Music & Lyrics by Charlie Cawood/Marjana Semkina Engineered & Mixed by Amir Shoat Mastered by Ron Synovitz at Golden HIVE Studios, Prague Video by Emily Bailey

Music video for Kate Arnold's unique cover of Spear of Destiny's Pumpkin Man. .................................................................................... I was delighted to have the opportunity to work with Kate Arnold again. I really enjoyed this cover and wanted to do the song justice with the video I made for it. My approach for the song was to try to picture myself in the character’s head. Listening to the lyrics conjures up the image of this person out at night, completely drunk and getting caught up in a violent end by clashing with the police. Undertones of difficult life circumstances, repressed emotions, police brutality speak out loudly with this song. I wanted to express this sense of sensory overload and as such being limited to what the character could perceive. I experimented with this in a number of ways but eventually settled on having this constant interruption of vision through using a responsive audio spectrum which would simultaneously reveal and hide the action. I didn’t want to illustrate the lyrics but I wanted to allude to them and create an atmosphere. As such my choice of shots were interpretations of the song's meaning that I imagined a wider context for. As I was telling this story I was also mapping a visual language to the recurrent sounds in the music. I expanded on this idea of sensory overload and the disruption of the senses so that certain sounds distorted and affected the video in ways that started playing with the pixels and the medium itself. The strings became a sound that would pull at the video and make it harder to see. The booming of a drum became an explosive vibration that scattered the pixels. As I worked on the video, I felt more and more like I was sculpting with the pixels to create a form that was ever changing. I hope that the form I ended up creating reflects and in some way captures the core of this beautiful song.

Music Video for Chris Roe's latest EP Threads. Chris Roe is an acclaimed composer and multi-instrumentalist and for his latest EP he has collaborated with visual artist Emily Bailey on one of the tracks to create an audiovisual piece inspired by the aurora borealis. Employing a monochrome palette and a stopmotion technique using paint this animation explores the shapes and forms of the aurora.  chrisroemusic.com emilybailey.co.uk

Composer Andrew Hall and visual artist Emily Bailey collaborate to create a wondrous audiovisual piece of visual vibrations and colourful sound palettes. Creation and destruction reign in this stark animated world of metal filings and magnetic forces.